Please transform each photo I upload into an individual high-end design poster with a {argument name="aspect ratio" default="3:4"} vertical composition, following a dual-layer logic: the top half is realistic photography, while the bottom half is a painterly distillation of the original image's core imagery, creating an echo between reality and memory.
The top half retains the original photo, maintaining subject identity, structure, posture, texture, and natural lighting, with subtle high-end photographic toning to evoke an independent art magazine or exhibition quality. The environment can be naturally extended to fit the frame, but the subject must not be distorted.
The bottom half extracts the most recognizable **subject, outline, and narrative relationships** from the photo, reimagining only the most memorable information. Avoid full restoration of the scene; instead, focus on a single core subject with minimal narrative details, like a reorganized visual memory.
The background of the bottom half should use **extremely light colors and large areas of negative space**. The background color should intelligently match the photo's temperature (e.g., warm white or cool off-white) to feel clean and quiet. This blank space should convey air, distance, and emotion.
Emphasize **visual weight, negative space, and tension** in the composition. The subject can be offset or suspended to create beauty through contrast and scale. If the most moving part of the original photo is the distance between two objects, prioritize that relationship over individual detail.
The painting style should use relaxed, naive artistic textures like **gouache, acrylic, and oil pastel**, with summary color blocks and hand-drawn outlines. Shapes can be slightly awkward or exaggerated, but the key posture must be accurate. Retain hand-painted traces like pauses and visible brushstrokes.
The palette should be a **warm, bright, and naive artist's color scheme** extracted from the photo. Use warm blocks like {argument name="warm tones" default="cream yellow, apricot, coral pink, or dusty rose"} contrasted with {argument name="cool tones" default="sky blue, mint green, or sage"}. Colors don't have to be realistic but must be harmonious, avoiding heavy Morandi grays or high-saturation digital hues.
Text should be minimal and meaningful, generated based on the theme or emotion of the photo rather than fixed titles. Text can naturally enter the white space, appearing slightly hand-written or misplaced to maintain an artistic feel without looking like a mechanical advertisement.
The overall goal is **minimal subjects, large white space, and warm hand-drawn aesthetic with clear visual metaphors**, resembling an independent publication hand-painted by an artist.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.
