Please turn each of the photos I uploaded into an independent high-end design poster, no multi-photo stitching, each photo output separately. The overall layout uses a {argument name="aspect ratio" default="3:4"} vertical composition, and the top and bottom areas are strictly {argument name="area split" default="1:1"} in height, each occupying 50% of the screen.
The upper part retains the original photo, maintaining the subject identity, structure, posture, realistic texture, natural light and shadow and original color atmosphere, only light high-level color grading to give it the texture of art magazines and exhibition images. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted or changed.
The lower part only extracts the most recognizable **subject, outline, structure, posture and narrative relationship** from the photo, and reconstructs it into a **hand-sewn textile collage illustration**. Do not keep all objects, do not re-draw object by object, do not copy the original scene; actively delete most of the background and irrelevant details, use only a few large pieces of cloth, simple silhouettes, layered fabrics, raw-edged patches and a small amount of embroidery to re-summarize the core visual information, making it recognizable at a glance as corresponding to the photo above.
The lower part must use **a large amount of white space** as the core compositional language. The subject should be compressed into a smaller, more refined visual focus, with the remaining space left blank in large areas; white space is not an empty background, but an important part of the picture itself, forming a sense of breath, space and rhythm together with the subject, the edge of the cloth and the stitches. Eccentricity, edge-hugging, suspension or local cropping are allowed, re-directing the original image into a more valid and advanced work through subtraction, recombination, scale changes and white space.
The material emphasizes cotton and linen fibers, fabric textures, hand stitches, irregular cuts, slight dislocations and real touch, presenting a warm, restrained, and lifestyle textile collage / appliqué texture. Avoid complex perspectives, fragmented depictions, crowded screens and cheap handmade feel.
Extract {argument name="color count" default="2–4"} of the most vibrant, lifestyle-warm colors that represent the theme's spirit from the photo above, moderately brighten, purify, and de-gray them to make the fabric colors vivid, soft, and friendly. The overall look is bright, warm, and natural, avoiding dull, gray, old, and gloomy color schemes.
Text is only involved as a minimal editorial intervention, with no language restrictions. A small number of words or short sentences can be freely generated based on the subject, location, action, emotion or metaphor, quietly falling on the white space or the edge of the subject, forming a refined relationship between graphics and text.
The overall visual effect is a high-end combination of **selective refinement, textile collage, hand stitching, vivid fabrics, a huge amount of artistic white space and editorial layout**. Avoid object-by-object copying, excessive background retention, information accumulation, screen filling, complex scenes, cartoon feel, 3D feel and stylized templates.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.
