Goal: Create a cinematic Japanese fantasy anime magazine cover inspired by a high-end fashion/editorial photography spread, featuring Zenon Maki from a sorcery-themed universe.
Fields you can change: character name.
Full prompt
Goal: Create a cinematic Japanese fantasy anime magazine cover inspired by a high-end fashion/editorial photography spread, featuring {argument name="character name" default="Zenon Maki"} from a sorcery-themed universe.
Canvas: Wide horizontal magazine cover, 16:9 aspect ratio, dark blue night palette, glossy print look, high contrast moonlit rim lighting, shallow depth of field.
Main image: A close-up three-quarter portrait of a young woman in a dark navy sorcerer-style high-collar uniform with a gold spiral button pin. She has long teal-black hair tied in a high ponytail, loose strands around the face, and dramatic cyan backlighting catching the hair. Her right hand is raised elegantly near her neck. Place a large centered square blur/placeholder over the face, covering the eyes, nose, and mouth, with a muted gray-to-warm-brown gradient. Background is a misty forest or shrine garden at night with blue fog, soft bokeh, and faint purple flowers at the far right.
Layout: Design it as a full magazine cover with elegant serif typography in gold, white, and pale blue. Use the portrait as the background image, with text arranged around the edges and no text crossing the central face placeholder.
Visible text elements: Include exactly 12 separate text/graphic elements: 1) top-left small Japanese label reading 「特別編集」, 2) left main Japanese title 「呪術界の名工」 in large gold type, 3) romanized subtitle “JUJUTSUKAISEN NO MEIJIN”, 4) left feature block headed “Special Phrase” with Japanese quote text, 5) left feature block headed “Mission Report” with Japanese text, 6) bottom-left circular badge with Japanese bonus poster text, 7) bottom-left barcode block with tiny price text, 8) top-right masthead “Sorcery MAGAZINE” with a small Japanese tagline above it, 9) right issue information block reading “Photography by Jujutsu Vision”, “2024 AUTUMN”, “vol.18”, and price text, 10) right circular badge reading “12P” with Japanese surrounding text, 11) lower-right name block reading “M Meijin”, Japanese name 「禪院真希」, and “ZENON MAKI”, 12) bottom-right headline in Japanese 「その眼差しの奥にあるもの。」 with English subtitle “Behind those eyes lies the true strength.”
Typography and style: The masthead should use a refined Didot/Bodoni-like serif font, large gold letters, with subtle tracking. Japanese headings should be elegant Mincho-style serif. Small copy should look authentic but remain secondary, like real magazine cover blurbs. Add a barcode and print-production details for realism.
Constraints: Do not add extra people. Keep exactly one main character. Keep the face fully obscured by the square blur placeholder. Preserve the luxurious dark blue and gold editorial mood. No watermark, no logos beyond the fictional magazine branding.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.