Create a vertical city poster showing Beijing Guomao CBD transforming from watercolor painting into photorealism.
Fields you can change: city district, headline text, subtitle text.
Full prompt
Create a vertical city poster showing {argument name="city district" default="Beijing Guomao CBD"} transforming from watercolor painting into photorealism. The canvas is portrait-oriented, about 4:5, with a seamless left-to-right transition: the left half is a loose watercolor illustration with visible paper texture, splattered pigment edges, soft pastel washes in blue, lavender, peach, yellow, and teal, while the right half gradually becomes a crisp realistic aerial city photograph under a bright blue sky with scattered clouds. The skyline must feature the Beijing CBD landmarks: the tall China Zun tower dominating the right side, the CCTV Headquarters angular loop building near the center-right, and multiple glass skyscrapers on the left-center, with broad roads, traffic lanes, trees, low-rise blocks, and urban avenues visible below. Add elegant Chinese title typography in the upper-left reading {argument name="headline text" default="国贸CBD"}, with a thin horizontal divider line beneath it and smaller subtitle text reading {argument name="subtitle text" default="从水彩到现实"}. Use warm late-afternoon sunlight, high detail on the realistic side, dreamy translucent watercolor blooms on the painted side, and make the boundary between painting and reality feel poetic and fluid, as if the city is waking from a scroll. No people, no watermark, no extra labels.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.