Goal: Create a vertical cinematic 3D historical figure archive poster about 张骞, showing an ancient Chinese explorer breaking out of a documentary-style timeline layout with strong depth and motion.
Fields you can change: character name, map title, banner text, main title.
Full prompt
Goal: Create a vertical cinematic 3D historical figure archive poster about {argument name="character name" default="张骞"}, showing an ancient Chinese explorer breaking out of a documentary-style timeline layout with strong depth and motion.
Canvas: Vertical 3:4 poster, sepia desert palette, high-detail realistic 3D render mixed with aged parchment infographic design. Use dramatic backlight, dusty atmosphere, wind-blown fabric, shallow depth of field, and a grand Silk Road expedition mood.
Main subject: A full-body ancient Han dynasty envoy stands in the center foreground on a rocky desert road. His face is intentionally covered by a soft square pixelated blur. He wears layered worn robes, leather belts, travel wraps, boots, and a red-brown scarf blowing in the wind. His left arm stretches forward holding a large unrolled parchment map that projects toward the viewer in forced perspective; the map is labeled in Chinese as {argument name="map title" default="西域线路图"} and contains route lines and place names. His right hand holds a tall ceremonial staff with an ornate metal finial and a hanging vertical red banner reading {argument name="banner text" default="汉节"}. Behind him, show a caravan of camels, riders, soldiers, flags, and a distant western-region city gate under a hazy sky with birds.
Left title column: Place huge black ink-brush Chinese calligraphy vertically reading {argument name="main title" default="张骞"}. Add smaller vertical Chinese descriptors beside it describing him as an opener of the Western Regions and Silk Road pioneer, plus dates “前164—前114” and a small red seal stamp. Keep the typography elegant, historical, and museum-like.
Floating archive panels: Use exactly 6 translucent glass-and-gold-line information cards around the figure, each with thin borders, small glowing corner nodes, miniature monochrome historical scene illustrations, and Chinese headings. Count and place them as follows: 1) upper left card, “01 前138 奉汉出使”, with a small envoy departure scene; 2) upper right card, “02 前129 被匈奴扣留”, with a captivity or horsemen scene; 3) lower left-middle card, “03 前119 再通西域”, with a caravan scene; 4) right-middle card, “04 前115 联络诸国”, with diplomats and allies; 5) lower right card, “05 前114 回到长安”, with return-to-capital imagery; 6) bottom-left large card, “06 丝路初开”, showing a route map and camel caravan.
Bottom timeline: Add one thin horizontal timeline across the bottom with exactly 6 labeled milestones, evenly spaced: “前164 出生 汉中郡城固”, “前138 奉汉出使 出使大月氏”, “前129 被匈奴扣留 持节不屈”, “前119 再通西域 抵达大月氏”, “前115 联络诸国 建立友好”, “前114 回到长安 报告见闻”. Use small serif-like Chinese type, warm off-white ink, and subtle gold tick marks.
Visual style: Epic historical realism, photorealistic cloth and leather textures, parchment infographic overlay, museum exhibition poster, ancient Chinese frontier expedition, desert dust, wind, warm bronze and beige tones, sharp foreground map, cinematic perspective, volumetric light, ultra-detailed 3D立像档案 aesthetic.
Constraints: Preserve exactly one central figure, one large parchment map, one ceremonial staff with one hanging banner, six floating archive cards, and six bottom timeline milestones. Avoid modern objects, avoid extra panels, avoid neon colors, and do not add a watermark.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.