Create a clean editorial magazine poster for a Japanese design-intelligence service. Canvas: portrait poster on a light gray background, with a white page centered and a subtle drop shadow, about 4:5 ratio.
Fields you can change: headline text, subheadline text, main subject, call to action.
Full prompt
Create a clean editorial magazine poster for a Japanese design-intelligence service. Canvas: portrait poster on a light gray background, with a white page centered and a subtle drop shadow, about 4:5 ratio. Visual style: minimalist modern Swiss/Japanese editorial layout, lots of white space, sharp black typography, thin divider lines, small uppercase English microcopy, high-end design magazine feel. Main headline: large bold black Japanese type in the upper right, reading {argument name="headline text" default="デザインの Scopeを、もっと広げよう。"}, with “Scope” in Latin letters, arranged across 3 stacked lines and overlapping slightly above the photo area. Subheadline: smaller bold Japanese line below the headline, reading {argument name="subheadline text" default="水面下から、少し先の景色をのぞく。"}. Hero image: large rectangular photo occupying the lower center/right, showing {argument name="main subject" default="a Japanese businessman in a dark navy blazer and glasses standing in profile by a tall window, holding a small notebook or phone, looking out over a rainy modern city street with blurred buildings and traffic"}; cool blue-gray city tones, shallow depth of field, realistic photography. Left margin editorial column: at top left, small uppercase text “CURATED DESIGN INTELLIGENCE”, a thin vertical line beneath, then a small issue row with “01”, a long horizontal rule, and “ISSUE_05”. Along the lower left margin, create exactly 4 stacked navigation items with small labels and descriptions: 1) “PERSPECTIVE” with “Stream / culture, urban, and new synthifications.” and number “01”; 2) “AI & DESIGN” with “Designing conversational architectures and design-agent landscape.” and number “02”; 3) “CULTURE” with “Locomoting nation of Tokyo, extensionism, privileges.” and number “03”; 4) “RESEARCH” with “Research unitile evolution in art and design professions.” Use tiny black type with thin vertical separators between items. Bottom right call-to-action: a pale lime rectangle overlaying the lower-right corner of the photo/page, containing bold uppercase text {argument name="call to action" default="READ / LEARN / THINK / MAKE"} and a faint white downward triangle/arrow icon. Constraints: keep the composition simple and premium, use only black, white, gray, cool photo colors, and pale lime accent; no logos, no extra text, no decorative clutter.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.