Goal: Create a bold experimental product poster for a design-object announcement, combining an extreme cropped typography background with a thermal receipt layout overlay.
Fields you can change: product name, receipt header, background color.
Full prompt
Goal: Create a bold experimental product poster for a design-object announcement, combining an extreme cropped typography background with a thermal receipt layout overlay.
Canvas: Vertical poster, 4:5 aspect ratio, off-white outer margin around a saturated hot-pink rectangular field. Use a clean print-design composition with slight risograph/thermal-paper grain and subtly imperfect ink edges.
Layout: Place one huge cream-white uppercase background title reading {argument name="product name" default="TABLE LAMP"}, spanning nearly the full width across the upper third; crop the letters heavily at the left and right edges so the title feels oversized and partially hidden. Center-right, overlay exactly one tall narrow cream thermal receipt running from near the top to near the bottom, with zigzag torn edges at the top and bottom. Add one thin vertical microtext line beside the receipt, rotated 90 degrees, reading like an archive/design ID. Along the bottom of the pink field place exactly two separate cream barcode blocks, one at bottom left and one at bottom right. The receipt itself contains exactly one black barcode near its bottom.
Receipt details: The receipt header has a large condensed black title {argument name="receipt header" default="TABLE LAMP"}. Under it, include the subtitle “AESTHETICS, SWITCHED ON”. Fill the receipt with monospaced thermal-printer text, dashed divider lines, and pseudo-transaction metadata. Include design-spec lines such as design registration number, date, time, terminal, transaction, attendant, product, object type, form study, material study, surface finish, light quality, curve ratio, form revision, assembly check, aesthetic value, archive index, subtotal, tax, payment method, authorization, thank-you note, return policy, and “KEEP THIS LIGHT RECEIPT”. Highlight exactly one line in a translucent pink marker strip: “GRAND TOTAL--BEAUTY, SWITCHED ON”.
Subject image on receipt: At the lower half of the receipt, print exactly one cute glossy flower-shaped table lamp illustration with a pink fluted pedestal stem, six rounded pink petals, a blue inner glow, a small orange-red circular center, and a thin pale power cord trailing left. Keep it centered above the receipt barcode.
Typography and style: Use condensed bold sans-serif for the massive background title, monospaced receipt type for all receipt text, black ink on warm cream paper, and a fashionable editorial graphic-design aesthetic. Main colors are {argument name="background color" default="hot pink"}, cream white, black, soft pink, blue, and orange-red. The image should feel like a modern poster generated from the structural idea of a thermal-paper receipt, not a realistic store receipt photo.
Constraints: Use exactly 3 visible barcodes total: 2 large background barcode blocks and 1 receipt barcode. Use exactly 1 receipt, exactly 1 product illustration, and exactly 1 highlighted grand-total line. Do not add people, logos, watermarks, QR codes, extra products, or extra receipts.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.