Goal: Create an elegant widescreen PPT courseware cover slide about the past and present of blueberries, blending Chinese editorial typography with soft watercolor botanical illustration.
Fields you can change: topic, Chinese title, English subtitle, year, vertical quote.
Full prompt
Goal: Create an elegant widescreen PPT courseware cover slide about {argument name="topic" default="the past and present of blueberries"}, blending Chinese editorial typography with soft watercolor botanical illustration.
Canvas: 16:9 landscape presentation slide, warm off-white handmade paper texture background with subtle fibers, faint stains, and minimal ink speckles.
Layout: Left third is dominated by a large Chinese title in dark blue-gray: {argument name="Chinese title" default="蓝莓的\n前世今生"}. Place the title in two stacked lines with generous spacing, using a refined Song/Ming-style serif font. Above it, small uppercase text reads “PPT COURSEWARE” preceded by a tiny gold circular icon. Under the title, add a short thin gold line and the English subtitle in small serif capitals: {argument name="English subtitle" default="THE PAST AND PRESENT OF BLUEBERRIES"}. Bottom left shows the year {argument name="year" default="2026"} in large serif numerals, with a thin horizontal line beneath, then five small Chinese category labels separated by vertical dividers: “起源 | 演化 | 传播 | 栽培 | 科学 | 生活”.
Main imagery: Use exactly 6 visible blueberry-related watercolor elements across the slide: 1 large soft blue blueberry bloom near the upper center with a dark star-shaped calyx, 1 translucent blue leaf angled diagonally below-left of it, 1 small blueberry bloom near lower left labeled “origin”, 1 clustered pair of blurry blueberries near lower middle-right with one visible calyx, 1 circular blueberry cross-section on the right labeled “cut” with pale pulp and small seed dots, and 1 small fuzzy blueberry wash near the lower right. Keep all fruit elements desaturated indigo, smoky blue, and gray-blue, with feathered watercolor edges.
Technical annotation details: Add fine gold and blue-gray diagram marks: tiny crosses, dotted guide lines, small circles, target rings, and thin leader lines. Include exactly 3 small numeric labels: “01” near the upper-center blueberry, “02” near the middle-right cluster, and “01” as a page number at the bottom right. Add the labels “origin” and “cut” in very small serif text.
Right margin: Add a narrow vertical text column on the far right with small Chinese copy: {argument name="vertical quote" default="一颗小小的蓝色果实,如何跨越时间与空间,与人类的文明相遇、相知、相伴。"}. Beside or below it, add very small vertical English text in uppercase, decorative and partially editorial, about blueberries traversing time and space.
Visual style: Minimal premium academic presentation design, Chinese new-literati aesthetic, botanical science notes, high negative space, soft ink-wash watercolor, muted navy-blue and gray palette with restrained antique-gold accents, crisp typography but organic painted fruit. No people, no photorealistic fruit, no bright colors, no watermark.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.