Goal: Create a minimalist editorial poster combining a cinematic rainy train-platform photograph with a quiet graphic-design reconstruction below, themed around waiting, loneliness, and companionship.
Fields you can change: headline text, Japanese subtitle, vertical Japanese quote.
Full prompt
Goal: Create a minimalist editorial poster combining a cinematic rainy train-platform photograph with a quiet graphic-design reconstruction below, themed around waiting, loneliness, and companionship.
Canvas: Vertical poster in a 3:4 aspect ratio, split horizontally into 2 equal-feeling sections: the upper half is a realistic rainy photograph, the lower half is a cream-paper minimalist layout with typography and cutout figures.
Upper section: Show a deserted rural railway platform in heavy rain, viewed from a wide diagonal perspective under a dark metal station roof. The wet concrete platform reflects the roof beams, pillars, and sky like a mirror. Include exactly 1 elderly man in a long dark raincoat and black cap standing near the platform edge, facing away to the right, and exactly 1 medium-sized dog sitting beside him, also facing the tracks. Include exactly 1 empty bench on the far left, exactly 1 square platform sign with the number “2” hanging from a pillar, and exactly 2 visible railway tracks running into the misty distance. Background: pale gray rainy mountains, faint houses, utility poles, and soft haze. Mood is quiet, cold, melancholic, cinematic, with muted blue-gray tones.
Lower section layout: Use an off-white textured paper background. On the left, place a large elegant serif headline reading {argument name="headline text" default="Same Platform"}, stacked on two lines, dark charcoal, with generous letter spacing and magazine-poster refinement. Beneath it place Japanese subtext: {argument name="Japanese subtitle" default="また、どこかで。"}. Below that, add a short thin horizontal line, then a tiny English poem in small serif text: “Same rain. / Same platform. / Different tomorrow.” In the bottom-left corner add small spaced uppercase text: “A QUIET DAY / SOMEWHERE”.
Lower section illustration: On the right half, place cutout-style figures of the same elderly man and dog from the upper photo, simplified into a collage aesthetic. The man stands with his back turned, wearing a long dark raincoat, dark pants, black cap, and black shoes. The dog sits to his left. Behind them is exactly 1 large pale blue circle like a moon or memory. Across the bottom third, add exactly 1 horizontal muted blue ground block spanning the width. On the upper-right, add vertical Japanese text: {argument name="vertical Japanese quote" default="待つ時間も、どこかで、だれかの物語だ。"}.
Visual style: Japanese minimalist editorial design, quiet literary poster, soft grain, matte paper texture, restrained negative space, muted blue-gray and cream palette, realistic top image contrasted with simplified collage bottom image. Keep the composition refined and calm, with no extra characters, no vehicles, no crowds, no bright colors, and no watermark.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.