Goal: Create a vertical editorial poster combining a warm cinematic lifestyle photograph with a torn-paper collage aesthetic, centered on a young woman with short wet black hair reading a red book while lying on a brown sofa. Canvas: Vertical 3:4 poster, about 900 x 1200 px.
Fields you can change: subject, outfit, main Japanese copy, small Japanese copy, right Japanese note.
Full prompt
Goal: Create a vertical editorial poster combining a warm cinematic lifestyle photograph with a torn-paper collage aesthetic, centered on {argument name="subject" default="a young woman with short wet black hair reading a red book while lying on a brown sofa"}.
Canvas: Vertical 3:4 poster, about 900 x 1200 px. Split the composition horizontally into 2 distinct sections: the top half is a full-bleed realistic photograph, and the bottom half is a cream handmade-paper design with a large torn opening revealing the same photograph underneath.
Top section: Show the subject reclining diagonally on a textured brown couch near a window, wearing {argument name="outfit" default="a loose sleeveless sky-blue dress with thin side ties"}. She is lying on red patterned cushions with small floral fabric patches, holding a glossy red book close to her face so it partly hides her mouth and nose. Her expression is quiet and absorbed, eyes visible over the book. Use soft afternoon window light from the upper right, warm shadows, natural film photography grain, intimate indoor atmosphere, slightly high camera angle.
Bottom section: Create an aged off-white paper background with subtle fiber texture, stains, deckled edges, and handmade stationery feeling. In the center, make 1 large irregular vertical ripped crack/opening with rough layered paper edges, exposing a cropped duplicate of the woman reading beneath it. Add 4 torn colored-paper fragments around the opening: one red fragment near the top, one muted blue fragment at the upper right, one beige fragment along the lower left edge, and one dark fragment near the lower center. The exposed image should look slightly flatter and more printed, like a magazine photo embedded under torn paper.
Text content: Add Japanese editorial typography in thin, elegant Mincho-style characters. On the left side of the bottom paper, large vertical/stacked text reads {argument name="main Japanese copy" default="ページの\n向こうに、\nどこかのわたし。"}. Below it, smaller text reads {argument name="small Japanese copy" default="読んでいるのは、\n物語か、\nそれとも、\n少しだけ未来。"}. On the right side, add a small vertical Japanese note reading {argument name="right Japanese note" default="こんな午後が、\nずっと続けばいい。"}. Keep the text sparse and airy, with generous margins.
Decorative details: Include exactly 2 pressed dried flower sprigs: one small reddish flower cluster near the lower center-left of the torn opening, and one longer thin-stem flower sprig near the lower right. Add 3 faint pencil-like curved scribble lines across the paper: one large loose curve on the right, one short underline-like stroke below the left text, and one long sweeping line from the lower left toward the center. No logos, no watermarks, no extra text.
Visual style: Japanese magazine cover, poetic paper collage, tactile torn paper, wabi-sabi stationery design, warm nostalgic color grading, realistic photography mixed with handcrafted paper texture, calm literary mood.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.