Please turn each photo I upload into a separate, high-end design poster. Do not combine multiple photos into a collage; output one poster per photo. Use an overall {argument name="composition ratio" default="3:4 vertical composition"}, strictly divided into two equal sections, with the top and bottom each occupying exactly 50% of the canvas height.
For the top half, preserve the original photograph, maintaining the subject’s structure, realistic texture, natural lighting, and original color atmosphere. Apply only subtle, refined photographic color grading to give it the quality of editorial magazine photography and fine-art exhibition imagery.
For the bottom half, extract the most recognizable subject, silhouette, pose, and narrative relationships from the photograph, then reinterpret them as a light, naïve, retro hand-drawn editorial illustration. Do not mechanically trace or reproduce every detail. Instead, reinterpret the subject through simplified forms, slightly exaggerated proportions, symbolic features, and humorous visual metaphors. Blend the aesthetics of modernist editorial illustration, Bauhaus composition, children’s picture books, and fashion sketching. Keep the forms concise and the lines thin, delicate, and slightly imperfect by hand.
Derive the color palette from the photograph above, using a limited palette with high lightness and low-to-medium saturation. Leave generous areas of off-white or pale negative space. Use a mixed-media texture inspired by watercolor, gouache, colored pencil, oil pastel, and dry-brush techniques. Preserve visible paper grain, rough edges, and slight misregistration. Keep the overall composition balanced, airy, and spacious.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.