Goal: Create a bold editorial fashion poster / magazine cover for a motivational design project, featuring a full-body studio portrait of Akinbinu Akintayo standing confidently in front of oversized typography.
Fields you can change: character name.
Full prompt
Goal: Create a bold editorial fashion poster / magazine cover for a motivational design project, featuring a full-body studio portrait of {argument name="character name" default="Akinbinu Akintayo"} standing confidently in front of oversized typography.
Canvas: Vertical 4:5 poster, bright cyan-blue seamless studio background with a darker blue floor plane and soft vignette/shadowing near the bottom. High-contrast modern layout, cropped poster typography extending off the edges.
Main subject: One tall Black male model, full body, centered slightly right, standing upright with both hands in trouser pockets. He wears a dark olive-green button-up shirt tucked into matching tailored trousers with a black belt and polished black dress shoes. Short curly black hair. Face is intentionally obscured by a vertical soft-blurred rectangular block over the center of the face, while ears, hairline, neck, and outfit remain visible. Studio lighting from upper left, realistic shadows on the floor.
Typography style: Use huge uppercase condensed sans-serif lettering in fluorescent yellow-lime, bold and clean, layered behind and around the figure. Some words are partially hidden by the model or cropped by poster edges. Keep the typography flat, sharp, and poster-like.
Text content: Include exactly 9 visible text blocks: 1) top left small text: "A DESIGN BY AKINBINU AKINTAYO"; 2) top right huge title: "CARPE DIEM"; 3) left middle huge cropped text: "BEC-"; 4) center-right huge cropped text partly behind model: "MING"; 5) left lower-middle small text: "PROJECT BECOMING"; 6) right lower-middle small text: "AKINBINU AKINTAYO"; 7) lower left small text: "EP 27"; 8) center lower huge text: "OMING"; 9) bottom right huge title: "CARPE DIEM". Add two extra small motto lines at the very bottom left as part of the final block area: "MEMENTO MORI" and "MEMENTO VIVERE". Add a small lower-right phrase: "THE TIME IS COMING". The overall poster concept implies the phrase "BECOMING" split across the composition.
Layout: Place the model in the foreground so the typography is partially occluded by his body. The top-right "CARPE DIEM" should dominate the upper half, while another cropped "CARPE DIEM" anchors the bottom-right corner. The left-side "BEC-" should be very large and cropped off the left edge. The word fragments "MING" and "OMING" should appear in the middle and lower center, creating a layered typographic rhythm.
Color palette: Cyan-blue background, neon yellow-lime text, dark olive outfit, black shoes. Minimal colors, clean commercial poster finish.
Constraints: No logos, no watermark, no extra people, no props, no additional text beyond the specified typography. Preserve the bold fashion-editorial look and the intentionally obscured face.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.