Create one independent high-end editorial poster for each uploaded photo. Do not combine multiple photos into a collage. Each photo must be processed and output as a separate poster. OVERALL FORMAT Strict 3:4 vertical composition.
Full prompt
Create one independent high-end editorial poster for each uploaded photo. Do not combine multiple photos into a collage. Each photo must be processed and output as a separate poster. OVERALL FORMAT Strict 3:4 vertical composition. Divide the canvas horizontally into two exactly equal sections, with a precise 1:1 height ratio. The top half occupies exactly 50% of the canvas. The bottom half occupies exactly 50% of the canvas.
The two sections should feel visually connected as one refined art publication cover. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original photograph as faithfully as possible. Keep the main composition, subjects, identity, facial features, body proportions, poses, expressions, clothing, objects, and spatial relationships unchanged. Preserve the realistic photographic texture, natural lighting, shadows, atmosphere, and original color mood.
Apply only subtle, sophisticated editorial color grading, creating the feeling of a premium magazine photograph, contemporary art book, or high-end independent publication. The image should remain photorealistic and authentic, never overly retouched or artificially stylized. If necessary to fit the 3:4 composition naturally, extend the sky, ground, walls, or surrounding environmental background. Background extension must feel seamless and photographic.
Never stretch, distort, reshape, replace, or alter the main subject. BOTTOM HALF — MINIMAL HAND-DRAWN PAPER ILLUSTRATION Extract the most recognizable visual elements from the original photograph and reinterpret them as a minimalist hand-drawn paper-cover illustration. Preserve: The most recognizable subject Essential silhouette and proportions Key pose or gesture Important objects The core narrative relationship between people and objects Highly simplify the image.
Remove unnecessary details and retain only the visual information needed for immediate recognition. Use: Delicate, slightly imperfect hand-drawn lines A small number of bold, clearly defined acrylic-style flat color shapes Rough paper texture Visible handmade brush marks Slightly irregular, organic edges Subtle imperfections that make it feel genuinely handmade The main illustrated subject should be small, centered, and carefully composed, occupying approximately 10–20% of the bottom half.
Leave a large amount of negative space around the illustration. The background should primarily resemble: Rough white paper Warm off-white paper Pale natural paper Minimal editorial book-cover stock Use only a few lines or small color shapes to suggest the surrounding environment. COLOR PALETTE Extract the dominant colors directly from the original photograph. Compress the palette into no more than 4 main colors. Keep the colors restrained, sophisticated, and harmonious.
Use bold but controlled flat color blocks. Avoid excessive color variation. Preserve subtle paper grain and handmade brush texture. The illustration should visually feel like a simplified
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.