Create a refined editorial presentation cover slide in a warm, Claude-inspired design system. Use a landscape 16:9 composition with a parchment-paper background, subtle paper grain, soft shadows, and layered torn-paper collage elements.
Fields you can change: system label, main headline, subheadline, quote.
Full prompt
Create a refined editorial presentation cover slide in a warm, Claude-inspired design system. Use a landscape 16:9 composition with a parchment-paper background, subtle paper grain, soft shadows, and layered torn-paper collage elements. The overall palette should be warm ivory, cream, sand, charcoal, muted black, and terracotta accent. On the left half, place a small top label reading "{argument name="system label" default="Claude-inspired presentation system"}" with a small terracotta dot and a thin horizontal divider line. Below it, set an oversized elegant high-contrast serif headline in black that reads "{argument name="main headline" default="Thoughtful Systems"}", split across two lines and dominating the left side. Under the headline, add a smaller serif subheadline in terracotta reading "{argument name="subheadline" default="Warmth can still feel precise."}". Beneath that, create a vertical list of exactly 4 design principles, each on its own row with thin divider lines and a small icon at left: 1) a rectangular parchment-sheet icon with the text "Parchment canvas", 2) a serif capital T icon with the text "Serif-led hierarchy", 3) a filled terracotta circle icon with the text "Terracotta for signal", 4) a chain-link icon with the text "Organic diagrams over cold chrome". Add a tiny footer caption at bottom left reading "CLAUDE-INSPIRED PRESENTATION SYSTEM" in spaced small caps. On the right half, build a layered collage of exactly 3 paper cards: first, a tall off-white art card with a fine border containing the heading "A more considered approach", a short body paragraph about complex problems yielding to clarity, a minimal landscape line drawing with a terracotta sun, and a vertical terracotta botanical branch overlapping the card; second, a dark charcoal rectangular card partially behind it with the lowercase title "thinking process" and an exact 5-step numbered list: "01 Observe", "02 Interpret", "03 Connect", "04 Synthesize", "05 Act with care", plus a delicate circular orbital diagram in dotted lines and terracotta highlight; third, a torn off-white note card in front near the bottom with a hand-drawn overlapping-circles diagram where one crescent-shaped intersection area is shaded in terracotta, alongside a handwritten quote reading "{argument name="quote" default="Clarity emerges when systems are designed with intention."}". Include one extra light beige paper strip tucked beneath the lower cards. Emphasize tactile realism, elegant negative space, print-editorial sophistication, soft natural lighting, and a calm, thoughtful luxury-tech mood.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.