Please turn each uploaded photo into a separate high-end design poster. Do not combine images; each photo should be output individually. Use a {argument name="composition ratio" default="3:4"} vertical composition, divided into two sections with a strict 1:1 height ratio, each occupying 50% of the frame.
The upper half preserves the original photo, maintaining the subject structure, authentic texture, natural lighting, and original color atmosphere, with only subtle high-end photographic color grading to give it a magazine photography and art publication feel. The environment can be naturally extended to fit the frame, but the subject must not be stretched or distorted.
The lower half extracts the most recognizable subject, silhouette, posture, and narrative from the photo, reconstructing it as a minimalist paper-feel hand-drawn cover illustration. It should highly refine and reduce complex details, keeping only the most critical visual features, expressed with thin, slightly unstable hand-drawn lines and a few clear acrylic flat-painted color blocks. The subject stays small and concentrated, occupying about {argument name="subject proportion" default="10%–20%"} of the lower half, surrounded by large areas of white space. The background is primarily rough white or light-colored paper.
The color palette is extracted from the photo and compressed into no more than 4 main colors. Color blocks are vivid, complete, and restrained, retaining paper grain and manual smearing. Lines indicate structure while color blocks establish the subject. Avoid colored pencils, crayons, watercolor, pure line drafts, heavy oil painting, or 3D textures.
A small amount of simple text can be added based on the photo content, such as titles, keywords, or short phrases. The typography should be sparse and restrained, blending naturally with the white space for an art book or independent publication feel. The overall vibe is minimalist, high-recognition, quiet, and poetic, avoiding a commercial or template look.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.