Goal: Create a bold Japanese advertising poster for a creative AI canvas product called Banas™, using a high-energy red, white, and black visual language.
Fields you can change: product name.
Full prompt
Goal: Create a bold Japanese advertising poster for a creative AI canvas product called {argument name="product name" default="Banas™"}, using a high-energy red, white, and black visual language.
Canvas: Landscape 3:2 promotional graphic, bright solid red background, dramatic diagonal composition, high contrast commercial poster design.
Layout: On the left, place an enormous white Japanese headline in heavy condensed sans-serif type reading 「アイデアを爆発させろ。」 with the words stacked and oversized. Below it, place a small black vertical feature panel with exactly 5 rows, each with a simple white icon and Japanese label: 1) image icon 「AI画像生成」, 2) pencil icon 「デザインツール」, 3) lightbulb icon 「アイデアボード」, 4) people icon 「共有・コラボ」, 5) cloud icon 「クラウド保存」. Under the panel, add white Japanese copy 「デザインの常識を変える、新しいキャンバスツール」 and the {argument name="product name" default="Banas™"} logo with a stylized three-stripe mark; include small Windows and Apple icons beneath.
Center subject: A black-and-white cutout photo style young male creator in a black streetwear jacket, curly dark hair, face intentionally blurred by a soft rectangular censor blur, reaching one hand dramatically toward the camera with extreme perspective and holding a silver laptop/tablet in the other hand. The figure should overlap the typography and UI, creating depth and motion.
Top center: Add a jagged white starburst badge with red Japanese text reading 「AIで、想像を超えるクリエイティブを。」.
Right side: Place a large tilted white browser/app canvas mockup behind the person, showing a design interface with dotted canvas, top zoom controls, a share button, a left toolbar, and exactly 4 visible content/design areas: 1) a red poster thumbnail reading “BUILD THE FUTURE”, 2) a black-and-white car image thumbnail, 3) a small collage/sketch thumbnail, 4) a settings panel with font, color swatches, and layout buttons. Keep some interface details slightly blurred for realism.
Top right: Add a black slanted banner with small Japanese text 「クリエイティブAIキャンバス」 above a large white-and-red {argument name="product name" default="Banas™"} wordmark.
Right text column: Use bold black Japanese copy on white angled blocks: 「テキストから画像生成/アイデア出し/デザイン作成」, then 「すべてこの1つで」, and a huge red emphasis word 「完結。」. Below, place a white angled label reading 「AIで生成」. Add a black circular badge with red and white text reading 「30,000+ クリエイターが使っている」.
Bottom center: Add a narrow white strip label tilted slightly with black text “AI × IDEATION × DESIGN”, and a second strip below it reading 「すべてを、ひとつのキャンバスで。」.
Visual style: Japanese startup launch ad, kinetic magazine layout, sharp cutout collage, thick sans-serif typography, red-dominant palette with white text and black accents, glossy UI mockup, subtle shadows, perspective distortion, crisp print-ready edges.
Constraints: Preserve the exact count of 5 feature rows and 4 UI content/design areas. Do not add extra people, extra badges, or unrelated logos. Keep the overall composition crowded, energetic, and advertisement-like.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.