Goal: Create a vertical comparison-style image showing a nighttime café-and-mountain scene transformed into a delicate watercolor art print. Canvas: Portrait 3:4 composition, divided into exactly 2 horizontal panels.
Fields you can change: store sign text, caption line one, caption line two, year.
Full prompt
Goal: Create a vertical comparison-style image showing a nighttime café-and-mountain scene transformed into a delicate watercolor art print.
Canvas: Portrait 3:4 composition, divided into exactly 2 horizontal panels. The top panel occupies about the upper half and is a realistic night photograph; the bottom panel occupies the lower half and is a minimalist watercolor artwork on warm off-white paper.
Top panel: A centered, single-story Starbucks café at night, seen from across a dark parking lot. Behind it is a large snow-capped Mount Fuji-like mountain rising in blue mist under a deep twilight blue sky. The café has a black roofline and glowing warm interior windows. Include exactly 2 visible Starbucks brand marks: 1 large bright yellow word sign reading {argument name="store sign text" default="STARBUCKS"} centered on the building, and 1 small circular green siren logo on the right side of the storefront. Surrounding silhouettes include exactly 5 prominent natural/urban elements: 2 tall conifer trees on the left, 1 leafless tree to the right of the building, 1 tall conifer tree near the far right, and 1 tall streetlamp on the far right with a simple rectangular lamp head. Keep the mood quiet, blue, misty, cinematic, and calm.
Bottom panel: Recreate the same scene as a small hand-painted watercolor vignette centered on textured cream paper with lots of empty negative space. Paint the café, mountain, trees, and streetlamp in loose blue ink and pale watercolor washes. The miniature café should again include exactly 2 visible Starbucks brand marks: 1 tiny dark rectangular sign with yellow {argument name="store sign text" default="STARBUCKS"}, and 1 small green circular logo on the right. The watercolor version should include exactly 4 tree silhouettes: 2 thin conifers on the left of the café, 1 thin conifer on the right, and 1 simplified streetlamp beside it. Use soft bleeding edges, sparse brush marks, muted indigo shadows, and warm yellow window glow.
Text content beneath the watercolor vignette: Add exactly 3 centered handwritten lines in small lowercase lettering: line 1 reads {argument name="caption line one" default="coffee · mist · mountain"}; line 2 reads {argument name="caption line two" default="a quiet moment"}; line 3 reads {argument name="year" default="2024"}. Use widely spaced, delicate gray-blue handwriting.
Visual style: The top half should feel like a crisp realistic nighttime travel photograph; the bottom half should feel like a refined Japanese-inspired watercolor postcard or art print. Preserve the same subject alignment between panels: mountain centered behind the café, café centered below the mountain, tall lamp and conifer on the right, darker trees on the left.
Constraints: No people, no cars, no extra signage beyond the counted Starbucks marks, no borders between panels except the natural transition from photo to paper, no watermark, keep the overall palette deep blue, pale cyan, cream paper, black silhouettes, and warm yellow café light.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.