Goal: Create an ornate 3D pop-up storybook scene where Nozomu appears to leap out of an open fairy-tale book, as if a custom character illustration has become a luxurious paper craft diorama.
Fields you can change: character name, dress color.
Full prompt
Goal: Create an ornate 3D pop-up storybook scene where {argument name="character name" default="Nozomu"} appears to leap out of an open fairy-tale book, as if a custom character illustration has become a luxurious paper craft diorama.
Canvas: Square composition, warm cinematic close-up view from slightly above, centered on an open book resting on a dark antique wooden desk. Use shallow depth of field, glowing candlelight, amber highlights, soft shadows, and a magical vintage atmosphere.
Main subject: A beautiful anime-style young woman in an extravagant {argument name="dress color" default="deep red"} ball gown sits/steps forward from the pop-up pages. She has long softly curled brown hair, delicate jewelry, bare shoulders, lace gloves, and layered translucent ruffles with gold sparkles. Her face should be intentionally covered by a soft square blur/mosaic privacy mask while the rest of the illustration remains sharp and detailed.
Pop-up book structure: Build the scene from layered cut-paper pieces with thick white paper edges, scalloped borders, tabs, folds, and dimensional shadows. Include exactly 8 major pop-up elements: 1 large central character cutout, 1 curved title sign at the upper left, 1 moon-and-stars night-sky arch behind the character, 1 cream vintage sofa on the right, 1 tall arched window on the far right, 1 small purple castle on the left, 1 ornate chapter placard on the lower right, and 1 central folded stair/path bridge rising from the open pages toward the character.
Decorative details: Use abundant roses, vines, tiny stars, clouds, gold filigree, ribbons, lace-like paper trims, and scattered rose petals. Surround the book with antique props including candles, a clock, dark floral decor, and gilded frames, all blurred slightly in the background.
Text content: Use elegant Japanese storybook typography printed directly on the paper. The upper-left title sign should read 「ようこそ、のぞむの世界へ」 with the subtitle 「夢と魔法のはじまり」. Add exactly 4 readable story text areas: 1 small name plaque on the left reading 「のぞむ」, 1 large left-page story panel, 1 right-page story panel, and 1 lower-right chapter card reading 「第1章 のぞむと赤いドレスの夜」. Add a bottom ribbon label reading 「のぞむのものがたり」. Keep the Japanese text decorative and believable, not overly crisp.
Style: Highly detailed anime illustration mixed with realistic handcrafted pop-up book photography, romantic princess fantasy, rococo ornamentation, warm beige parchment paper, deep reds, gold accents, dusky purple night sky, magical sparkles, premium children’s picture-book aesthetic.
Constraints: The open book must be the main object, not a flat poster. Maintain strong 3D paper depth and visible layered construction. Do not add extra characters. Do not include watermarks, logos, modern objects, or English text.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.