Goal: Create a vertical editorial poster titled SLOW NEWS with an archival, frozen-time concept. Canvas: Portrait 2:3 poster on aged off-white paper with subtle grain and vignette; muted cream-and-charcoal palette accented by deep oxblood red typography.
Fields you can change: headline text.
Full prompt
Goal: Create a vertical editorial poster titled {argument name="headline text" default="SLOW NEWS"} with an archival, frozen-time concept.
Canvas: Portrait 2:3 poster on aged off-white paper with subtle grain and vignette; muted cream-and-charcoal palette accented by deep oxblood red typography.
Layout: Large serif headline split down the left edge ("SLOW") and cascading diagonally across the center in torn newspaper fragments ("NEWS"). A central cluster of overlapping torn newsprint sheets hangs like a mobile, suspended by thin threads. Behind them sits an exposed antique clock movement—brass gears, escapement, and a dark wooden rim—partly hidden by the papers. Soft directional light casts long diagonal shadows across the wall behind.
Sections: Top-left small label "The Pace of Information" above the vertical "SLOW". Below it a plus sign and stacked date "2025 / 09 / 15". Top-right small caps block "SOME THINGS ARE WORTH WAITING FOR." Mid-right another stacked date "2025 / 09 / 15" with a crosshair mark. Bottom-left tiny stacked words "Less Noise More Depth" with a crosshair. Bottom-right caption "INFORMATION CAN WAIT." One torn sheet near the top reads "The world moves faster than we think."
Subject details: The clock mechanism is realistic brass and steel with visible teeth, screws, and a balance wheel; papers are yellowed, creased, with ragged hand-torn edges and faint grayscale halftone images of old cityscapes and dense illegible body text. Red letters have a letterpress ink texture with slight misregistration.
Visual style: Analog collage, risograph-meets-photography, tactile paper realism, quiet contemplative mood, high detail, no modern digital gradients.
Text content: Preserve all listed English labels exactly as written; keep body text on the newsprint blurred and unreadable.
Constraints: Use exactly one central clock movement, hang papers from thin threads, avoid extra logos or watermarks, maintain the split SLOW/NEWS typographic arrangement.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.