Goal: Create a cinematic widescreen historical poster about 1905, contrasting Albert Einstein's physics revolution with Claude Debussy's musical revolution in the same year.
Fields you can change: headline year.
Full prompt
Goal: Create a cinematic widescreen historical poster about {argument name="headline year" default="1905"}, contrasting Albert Einstein's physics revolution with Claude Debussy's musical revolution in the same year.
Canvas: 16:9 horizontal poster, dark midnight-blue and black palette with luminous gold typography, high-contrast dramatic lighting, photorealistic painterly collage style, elegant editorial design.
Layout: Split the image vertically into two thematic halves with a large central black circular medallion overlapping both sides. Thin glowing gold orbital lines and a subtle vertical gold divider connect the two worlds. The central medallion contains the main typography, with the year huge at the top and supporting Spanish text below.
Left half: A dramatic black-and-white portrait of Albert Einstein in profile facing upward to the left, wild gray hair, mustache, dark suit, contemplative expression. Behind him is deep space with stars, a curved Earth horizon at the bottom left, a warped spacetime grid funnel with a black hole-like depression, a small dark planet or eclipse near the grid, and handwritten equation text reading “E = mc²” near the upper left. Use cool blue highlights and fine scientific linework.
Right half: A moody portrait of Claude Debussy in profile facing down to the right, dark curly hair and beard, formal black suit, hand resting against chin in a thoughtful pose. Behind him is an impressionist moonlit lake landscape inspired by Clair de lune: full moon in the upper right, blue night sky, distant dark trees and castle-like silhouettes, shimmering reflections on water, lily pads and exactly 3 visible pink-white water lilies near the lower center-right. Place a glossy black grand piano in the lower right corner with visible white and black keys. Add small elegant script text on the right reading “Suite bergamasque”.
Central text content: In the black circular medallion, set large gold serif text: “{argument name="headline year" default="1905"}”. Beneath it, in stacked uppercase white/gold serif text: “DOS” and “REVOLUCIONES”. Below that, smaller white Spanish body text: “Mientras Einstein publicaba la relatividad, Debussy dudaba si publicar esta suite.” At the bottom, in warm gold serif text: “Dos revoluciones, un mismo año.”
Typography and style: Use luxurious classical serif lettering for the title, with subtle beveling and gold glow. Body text should be centered and readable. Blend science and music visually: left side precise cosmic geometry, right side painterly impressionist water and moonlight. Add fine film grain, realistic lighting, soft bloom, and museum-quality poster polish.
Constraints: Include exactly 2 main human figures: Einstein on the left and Debussy on the right. Include exactly 1 piano, exactly 1 central circular text medallion, exactly 1 equation “E = mc²”, exactly 1 phrase “Suite bergamasque”, and exactly 3 water lilies. Preserve all Spanish text exactly as specified. Do not add logos, watermarks, extra captions, or modern UI elements.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.