Create a 3x3 grid collage of nine distinct horror-themed images. Each image features the same purple, cartoonish rabbit-like creature with long ears and a wide, unsettling smile, appearing in various eerie settings.
Full prompt
Create a 3x3 grid collage of nine distinct horror-themed images. Each image features the same purple, cartoonish rabbit-like creature with long ears and a wide, unsettling smile, appearing in various eerie settings.
Top-left: A person lying in bed, looking up in fear as the purple creature peeks through an open doorway into a dimly lit room.
Top-middle: The creature standing at the far end of a dark, narrow hallway with a single light fixture on the ceiling, its reflection visible on the wet floor.
Top-right: The creature reflected in a bathroom mirror, with a person's silhouette visible in the foreground.
Middle-left: The creature perched atop a playground slide at night, with a person watching from below.
Middle-center: A close-up of the creature pressed against a window pane, viewed from inside a dark room.
Middle-right: The creature standing in a doorway of a dilapidated, abandoned building with debris on the floor.
Bottom-left: The creature looming large in a foggy night sky above a bridge or overpass, with a person running away.
Bottom-center: A hand holding a smartphone taking a picture of the creature, which appears to be emerging from a pile of rubble or trash in a dark alley.
Bottom-right: The creature walking down a long, empty school hallway lined with lockers, while several students flee in terror.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
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