Create a premium vintage Japanese travel-poster stamp artwork for [COUNTRY / LOCATION / SUBJECT]. TEXT-TO-IMAGE ONLY — generate the entire composition from the location/subject description alone. No reference image required.
Fields you can change: location.
Full prompt
Create a premium vintage Japanese travel-poster stamp artwork for {argument name="location" default="[COUNTRY / LOCATION / SUBJECT]"}.
TEXT-TO-IMAGE ONLY — generate the entire composition from the location/subject description alone. No reference image required.
COMPOSITION
Create a realistic photographic travel scene featuring the most recognizable landmark, landscape, architecture, people, vehicles, or cultural elements associated with {argument name="location" default="[COUNTRY / LOCATION / SUBJECT]"}. Over the core subject area, place one flat postage-stamp-shaped artwork window containing an artistic reinterpretation of the exact same scene.
STAMP ARTWORK
Inside the stamp, transform the scene into a sophisticated 1960s–1980s Japanese tropical tourism poster inspired by classic Okinawa travel posters. Preserve the recognizable composition, architecture, landscape, perspective, and major visual elements while simplifying them into elegant graphic shapes.
Use clean hand-painted silhouettes, subtle vintage ink outlines, broad flat color fields, restrained detail, and a refined 4–6 color palette of turquoise, cyan, coral, warm orange, cream, and muted green. Add subtle vintage print grain, lightly weathered paper texture, and slightly faded yet vibrant colors. Keep generous calm areas of sky, water, pavement, or architecture for a spacious premium poster aesthetic.
STAMP DESIGN
Choose a 3:4 vertical or 4:3 horizontal stamp according to the subject. Keep the stamp moderate in size with clear breathing room around it. Add perfectly even postage perforations along all four sides.
The stamp must lie completely flat against the photographic scene with no thickness, drop shadow, curling, tilt, floating effect, or 3D appearance.
TYPOGRAPHY
No text, titles, captions, dates, numbers, logos, labels, Japanese characters, badges, or decorative typography.
FINAL AESTHETIC
Authentic travel photography × vintage Japanese tourism poster × Okinawa-inspired graphic art × postage stamp. The contrast between the realistic scene and the stylized stamp should feel deliberate, elegant, nostalgic, and seamlessly integrated.
AVOID
Anime, manga, comic-book styling, vector clip art, 3D rendering, excessive detail, clutter, distorted architecture, unrealistic proportions, random landmarks, oversized stamps, uneven perforations, modern graphic design, watermarks, and full-frame illustration.
FORMAT: 3:4 or 4:3, automatically selected based on {argument name="location" default="[COUNTRY / LOCATION / SUBJECT]"}.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.