Goal: Create a storyboard grid of 10 cinematic shots for a late-night urban walking vlog. Canvas: A 2x5 grid layout (10 panels total), numbered 01 to 10 in the top-left corner of each panel.
Full prompt
Goal: Create a storyboard grid of 10 cinematic shots for a late-night urban walking vlog.
Canvas: A 2x5 grid layout (10 panels total), numbered 01 to 10 in the top-left corner of each panel. The overall aesthetic is moody, realistic, and high-contrast, resembling a music video or film stills.
Subject details: A young Asian male with dark, slightly messy hair. He wears a brown leather bomber jacket over a grey turtleneck sweater, black trousers, and polished black leather shoes. He carries an olive-green canvas messenger bag slung across his body.
Environment: A Japanese city street at night after rain. Wet asphalt reflects neon lights (red, green, yellow). Background elements include skyscrapers, closed metal shutters, traffic lights, and crosswalks.
Sections:
- Panel 01: Wide shot from behind showing the man walking away down a wet residential street toward distant city lights.
- Panel 02: Medium close-up of the man standing under a building awning, looking off to the side, hand near his chest strap.
- Panel 03: Extreme close-up low angle of his black leather shoes stepping onto a curb, with bokeh reflections on the wet ground.
- Panel 04: Full-body shot from behind as he walks past closed storefront shutters.
- Panel 05: Wide shot of a red traffic light glowing against a backdrop of tall buildings and wet roads.
- Panel 06: Side profile medium shot of the man waiting at a crosswalk, illuminated by streetlights.
- Panel 07: Close-up of a pedestrian signal displaying a red 'stop' figure, covered in water droplets.
- Panel 08: Close-up of a pedestrian signal displaying a green 'walk' figure, also wet.
- Panel 09: Long shot of the man crossing a wide intersection alone, surrounded by city lights.
- Panel 10: Low-angle close-up of feet mid-stride on a zebra crossing, reflecting teal/green light.
Visual style: Photorealistic, cinematic lighting, shallow depth of field in some shots, cool color temperature mixed with warm practical lights.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
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