Turn this portrait photo into a single high-end halftone travel-collage poster. Output one poster per uploaded photo — never merge multiple photos into one frame. FORMAT 3:4 vertical canvas.
Full prompt
Turn this portrait photo into a single high-end halftone travel-collage poster. Output one poster per uploaded photo — never merge multiple photos into one frame.
FORMAT
3:4 vertical canvas. Split into two roughly equal zones — real photo on top, printed collage below — divided by one clean, sharp horizontal line. Do not stretch, warp, or reposition the figure to force the proportions.
TOP HALF — THE REAL SHOT
Preserve the original photo faithfully: same identity, face, expression, pose, hands, layered clothing, headphones/books/devices/personal items, background structure, natural light and shadow, original color mood. Add only a light high-end color grade and the faintest film grain. Do not redraw or reinterpret the person.
BOTTOM HALF — THE PRINTED RECONSTRUCTION
Same warm gray old-paper background. Rebuild the same figure as a printed collage: torn photographic slices + fixed-width ASCII character fields + photocopy halftone dots.
- Keep face, hands, hairstyle, headphones, layered clothing, and one signature item recognizable — identity must survive the breakdown.
- Torn-edge photo fragments carry the face and key structural lines; fabric, shadow, and background dissolve outward into ASCII characters, black halftone dots, and fractured print grain.
- Texture: rough white paper-fiber edges, slight print misregistration, old paper stains, a couple of crop marks, one restrained red calibration bar.
- Color: warm gray paper + black ink + the photo's own muted original colors + the single red accent. Never fully desaturate.
- Figure fills roughly 60–88% of the frame width (scale to whatever reads best for this image) — but always leave 22–38% of the paper untouched and empty, so it reads as archival print, not a packed terminal screen.
- Add one readable fixed-width title pulled from the photo's theme, plus the line "REC. STUDY 01" and one short observational caption. A few loose ASCII glyphs can trace the figure's edge as texture only — never used to fake body detail or invent specs.
MOOD
Early digital systems meets analog photocopy meets underground zine meets modern travel editorial. The figure should feel like it's surfacing — half photograph, half character, half print — restrained, archival, a little experimental.
AVOID
Solid black terminal backgrounds, walls of dense code, cyberpunk neon, fully hidden faces, random symbols with no meaning, invented technical readouts, garbled fake text, author credits, brand logos, QR codes, watermarks.
Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, group/couple, vehicle, or specific object) and their spatial relationships/interactions.
Generate a coherent 3×3 “contact sheet” grid that shows 9 different shots of exactly these subjects within the same environment.
You must adapt standard cinematic shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing the environment):
Extreme long shot (ELS): the subject appears small within a vast environment.
Long shot (LS): the full subject or group is visible from top to bottom (head to toe / wheels to roof).
Medium long shot (American shot / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium shot (MS): framed from the waist up (or the central core of an object). Focus on interaction/action.
5. Medium close-up (MCU): framed from the chest up. An intimate framing of the main subject.
6. Close-up (CU): tightly framed on the face or the “front” of the object.
Row 3 (details and angles):
7. Extreme close-up (ECU): intense focus on key features (eyes, hands, signs, textures) with macro-like detail.
8. Low-angle shot (worm’s-eye): look up at the subject from ground level (epic/heroic feeling).
9. High-angle shot (bird’s-eye): look down on the subject from above.
Ensure strict consistency: the same person/object, same clothing, and same lighting must appear in all 9 panels. Depth of field should vary realistically (with background blur in close-up shots).
Create a professional 3×3 cinematic storyboard grid with 9 panels.
The grid should present a specific subject/scene from the input image across a full range of focal lengths.
Top row: wide environmental shot, full-body view, 3/4 cropped (knees-up).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro details, low angle, high angle.
All frames must have photo-realistic textures, consistent cinematic color grading, and correct framing tailored to the number and type of subjects or objects being analyzed.
Put this whole text, verbatim, into a photo of a glossy magazine article on a desk, with photos, beautiful typography design, pull quotes, and bold formatting. The text: {argument name="article_text_en" default="[paste the full unformatted article here]"}
Create decorative text based on the word "{argument name="word" default=""}". Write the specified word largely and create decorative text designs associated with the image of the word. Create original designs with flexible ideas, without being constrained by existing fonts. The background should be a single color, white or black, matching the design.